Pamfil BILŢIU, Maria BILŢIU
Baia Mare, Maramureș
Our paper, based on the available published material, aims to remedy a void of ethnological research, Marțolea, although it is a complex mythological being well represented in our folklore, it is briefly researched till nowadays.
In the first part we present the spreading of this mythological being in the Romanian space, to which we added
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Pamfil BILŢIU, Maria BILȚIU
Baia Mare, Maramureș
Our work is based on the material provided by the answers to Ion Muşlea's questionnaires on the funeral in Maramureş, which raises a special interest to the researcher due to the rich ritual and ceremonial acts, beliefs and superstitions that give complexity, individuality and also the status of regional variant to the funeral in this area.
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Cristian MICU
Muzeul Etnografic al Transilvaniei, Cluj-Napoca
The villages on Argeș river upper valley, some of them having a population of Transylvanian origin, have developed a type of shepherding determined by specific spatial coordinates: the boundary of the settlements is relatively reduces, the arable lands occupies small areas and there are no crops alternating with the parcels left to
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Teofil IVANCIUC
Sighetu-Marmaţiei, Maramureș
The semantron (“toaca” in Romanian language), the oldest musical instrument being in use since Neolithic and documented 4000 years ago, has entered in the Christian Church during the first centuries A.D., surviving in the Orthodox Church until today. In the Romanian History, the semantron is clearly attested since 17 century.
About the semantron are
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Andrei FLORIAN
Universitatea de Artă și Design Cluj-Napoca
The article presents briefly, in a personal vision, the execution of a public monumental work, with a religious theme, namely The Wayside Cross, with a step-by-step description of the phases of design and execution of the necessary components resulting from the project. The entire work is realized in a contemporary, personal
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Ion Cherciu
Institutul de Etnografie și Folclor „Constantin Brăiloiu” al Academiei Române
One of the great challenges of the Romanian ethnography after the union of Transylvania with Romania was - in parallel with the delimitation of the main ethnographic areas - the formation of a typology of the Romanian folk costume. Due to the specific history of this great province, this approach
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CONTENT
SPIRITUAL CULTURE
Pamfil BILȚIU Santa Claus (Father Christmas) in the Romanian Folk Culture .......................................................................................................9
Costel CIOANCĂ A Functional Illusion: The Young Woman of Romanian Fantastic Fairy Tale.............................................................................19
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Iharka SZÜCS-CSILLIK
Institutul Astronomic, Cluj-Napoca
Zoia MAXIM
Cluj-Napoca
From the cycle of the constellation symbolism we will approach the „Corona-Crown” constellation. The origin of these dress accessories gets lost in the darkness of time, standing testimony of the „Prehistoric Art”. The "Corona- Crown" is the small
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Gheorghe LAZAROVICI
Cluj-Napoca
Cornelia-Magda LAZAROVICI
Institutul de Arheologie, Iaşi
In order to understand the process of neolithisation of Southeastern and Central Europe, must be underlined the important role played by Transylvania through the numerous springs and salt lakes. The whole Carpathian arch of Transylvania is surrounded by impressive salt sources (Map 1). After a cold
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Ioana BĂDOCAN
Cluj-Napoca
At the ancient peoples, the mask is the representation of the spirit of the ancestor, of the totemic animal and is connected with rites of initiation, agrarian and funeral rites. The mask, by its power, imposes on the bearer his own will because it is endowed with his own individuality. Dances with masks take place in agrarian, nuptials, of initiation, or funeral
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