Ioan TOȘA
Gabriela RĂDOIU LEȘ
Cluj-Napoca, Muzeul Etnografic al Transilvaniei
The authors aim to present to the interested public some moments of the valorification activity of the folk heritage by organising some exhibitions abroad in the period 1924-1956. From Brussels to Prague, from London to Vienna, Frankfurt or Geneva, from Paris to Sweden, the collections and artefacts of the Romanian
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Silvia SUCIU
Art House Gallery Cluj-Napoca
The art market is a system by which the artwork reaches the public - collectors, museums, public institutions. Thus, the artwork becomes “merchandise” and its journey begins in the artist’s workshop and ends by being shown to the public.
During centuries, the art market has registered many changes, according to different factors, such as:
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Carmen Florentina RAICU
Masterand, Universitatea Babeș-Bolyai
The aim of describing the house from Sucutard village, exhibited in the The National Ethnographic Park “Romulus Vuia” in Cluj-Napoca, is to better understand the way of living for a peasant family in a Transylvanian village, in the second half of the XIXth century and the first half of the XXth century.
In this respect, I interviewed
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Laura Cristina POP
Muzeul Etnografic al Transilvaniei
Romulus Vuia, the founder of Transylvanian Museum of Ethnography (founded in 1922) is a famous personality of the begining of the 20th century’s in Transylvania. As a museum founder and director, as a university professor, he was very active in academic life. He represented Romania at international congresses and conferences between
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MOHAY Tamás
Universitatea „Eötvös Loránd” din Budapesta,
Facultatea de Științe Umaniste
The article offers the analysis of a temporary exhibition carried out by the "Haáz Rezső" Museum in Odorheiu Secuiesc and itinerated at the Hungarian National Museum in Budapest. The joint work of five Hungarian ethnographers from the counties of Harghita, Covasna and Mureş, the exhibition "Anna -
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Ancuța MOCAN
Muzeul Etnografic al Transilaniei
The Transylvanian Museum of Ethnographic started an extensive multi-annual digitization program for museum heritage, designed to protect and value the Institution's negatives and slides on glass and celluloid. We ensure the saving and continuation of the existence in time of a very valuable and rare heritage through the conservation and protection
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Ion TALOȘ
Köln, Germania
Dans le présent article, nous nous proposons de montrer que les recherches consacrées à l’oralité roumaine représentent une contribution indispensable au patrimoine culturel national, à côté de l’archéologie, de l’histoire ou de la philologie. Proches l’une de l’autre, ces trois disciplines partagent parfois certaines méthodes d’analyse, poursuivant en fin de compte un
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Tudor SĂLĂGEAN
Muzeul Etnografic al Transilvaniei
Analyzing the historical, juridical and ethnographical information about treasures, the author points out at the links between the treasure legends and the mythologies of the Otherworld. The treasures, in their most archaic identifiable aspects, are a part of the Otherworld reality. The access to it is regulated by a system of rules governed by
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Vlad JURCĂ
Școala gimnazială Șimand, jud. Arad
The village Vasile Goldis is located in the eastern part of Zarand’s Depression. It is a village that belongs to the commune Beliu. Over time, this beautiful place suffered lots of changes regarding its name. At the beginning its name was Mocirla, then Lunca Teuz, ultimately ending up with the name of the head (leader) who led the Great Union
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Costel CIOANCĂ
Academia Română, Muzeul de Artă Veche Apuseană
The imaginary, through the totality of beliefs, speaking about the stage of the oldness is well emphasized and structured for a good contouring and phenomenological reception of the symbols of intimacy from the Romanian fantastic fairy tale, the subject claiming a particular approach. Representing a
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