Dana-Maria RUS
Muzeul Etnografic al Transilvaniei
The traditional folk costume of the Romanian peasant is one of the identity marks specific to us as a people. This costume has both common elements and elements of distinction from one geographical area to the other.
Nasaud region has succeeded to preserve the traditional costume almost the same as a hundred years ago. The economic life in the
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Ioan Augustin GOIA
Muzeul Etnografic al Transilvaniei
Der Autor beschreibt eine traditionelle Eindeckungstechnik, die bei allen alten bäuerlichen Wirtschaftsgebäuden mit krummen Sparren auf dem Gheţarplateau (Westkarpaten, Rumänien) bis in die Periode 1950-1955 verwendet wurde.
Die krummen Sparren waren aus den Fichten mit einem Maximaldurchmesser von 18 cm verfertigt, die mit den krummen
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Janeta CIOCAN
Muzeul de Etnografie şi Artă Populară, Baia Mare
Simona MUNTEANU
Muzeul Etnografic al Transilvaniei, Cluj-Napoca
La zone ethnographique Codru, située au nord de la Transylvanie, est un espace bien délimité du point de vue ethnographique, avec des caractéristiques qui le définissent clairement, mais aussi avec de fortes influences de Ţara Chioarului, de Oaş ou de la zone Crişul
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Ion CHERCIU
Institutul de Etnografie și Folclor „Constantin Brăiloiu”
In the interwar Romanian culture, the Sociological School of Bucharest led by D. Gusti had a unique approach of the folk culture which was seen as a living organism in constant movement and evolution.
Folk creations - musical and literary, peasant costume and artefacts etc. are no longer treated as "museum or archive
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Pamfil BILŢIU, Maria BILȚIU
Baia Mare, Maramureș
Our research is designed to address a gap in the specialty literature, which does not mention anything about the stonecraft center of Cupșeni – Țara Lăpușului. After brief considerations about Cupșeni - settlement, geographical boundaries, the occupations of the inhabitants, brief history - we wrote some considerations on the stonemasonry
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CONTENT
MATERIAL CULTURE
Janeta CIOCAN, Mirela COMAN Clôtures et portails en bois dans les zones ethnographiques du nord de la Transylvanie ….…….….…..... 9
Ioan TOȘA, Flavia STOICA The Roof in the Romanian Folk Architecture .......................................................….….….….….….….….….….. 27
SPIRITUAL CULTURE
Pamfil BILȚIU Folklore and
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SZÜCS-CSILLIK Iharka
Institutul Astronomic, Cluj-Napoca
Zoia MAXIM
Muzeul Național de Istorie a Transilvaniei
The Moon, the Night Owner, fascinated over time almost all civilizations on Earth; it is the one that strongly shines in the night, driving back the darkness. The changing appearance of the Moon in its multitude of phases has raised the interest and imagination since ancient times and
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Zoia MAXIM
Muzeul Național de Istorie a Transilvaniei
The author makes a summary of the 24 National Seminars of Ethnoarchaeology in which the following topics were discussed: „Fortification. Type and function” (1991); „Home - symbol and language: foundation, building techniques, sanctification” (2006-2007); „Magic farm: house, yard and outbuildings” (2010-2011); „Funerary rite and ritual” (1992
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Gheorghe LAZAROVICI
Universitatea „Lucian Blaga”, Sibiu
Fire is presented generally after 5 issues: the usual fire, thunderbolt, Sun, fire of penetration or absorption, fire of destruction. There are several objects containing symbols, signs or sacred scenes related with fire. Some of them represent ideograms, other mithogrames, representing means of communication between man and divinity in
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Vasilica Daniela TOADER, Laura TROŞAN
Muzeul Etnografic al Transilvaniei
The Shepherd`s bag, made by hand, at the beginning of the 19th century in the village Jucul de Mijloc, Cluj county, has been exhibited in a glass showcase in the main Hall of the Museum since 2006. The leather is dehydrated, some parts are detached, torn, some tacks and buttons are missing, and some of them are corroded.
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