Iharka SZÜCS-CSILLIK
Academia Română, Institutul Astronomic, Cluj-Napoca
Zoia MAXIM
Muzeul Național de Istorie a Transilvaniei
This study will try to find answers to the question "Why did our ancestors use the snake symbol and sign in their nonverbal communication?" When we observe the snake’s life and behaviour, we come to understand why Neolithic men used the snake symbol, and why it
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Constantin POP
Muzeul Național de Istorie a Transilvaniei
L'auteur se réfère à la mode masculine, féminine et juvénile qui, à côté d’autres éléments auxiliaires tels que la coiffure et des bijoux, définit le statut social de l'homme (handsome) et de la femme (considérée comme une véritable amazing and beautiful woman) dans la société romaine
Mots clés: vêtement, chaussure, parure, bijoux,
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Constantin MATEI
Institutul de Studii Universitare de Doctorat, Sibiu
In this study, we addressed some aspects of ethnoarchaeological research methodology. Comparative ethnoarchaeology record change processes of long-term, that occurs in the economy, technology and bio-social environment. Another method is to research excavations at sites abandoned. The big advantage of this method is that the
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Gheorghe LAZAROVICI
Cluj-Napoca
Cornelia-Magda LAZAROVICI
Institutul de Arheologie, Academia Română, Iași
In this study the authors would like to extend throne notion with examples from religious life of Neolithic and Copper Age communities. Throne with its symbols is present starting with the earliest Neolithic horizons of Anatolia until center of Europe, in 7-5 millennia. We have
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Ioana BĂDOCAN
Cluj-Napoca
The Nettle (Urtica dioica) – also known as Large Nettle and Live Nettle, is a plant known from ancient times to have healing properties. It is widely spread all over the world. The use of the nettle in food or as a medicinal plant began from time immemorial, judging by its popularity in folk culture, both regarding its uses as well as its presence in beliefs and
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Radu TUNARU
Complexul Muzeal Arad
Piano restoration requires a delicate work because it is not a furniture, it is a musical instrument, complex object, requiring minimal musical knowledge to put back in use. Upright piano ”Carl Bechstein” raised multiple issues, from legs replaced with those of a table, to veneer, metalics elements, lace and felt damaged. Once complete disassembled
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Mioara SÎNTIUAN, Maria TONCA, Ioan BUTNARIU,
Dana BENKARA, Emanuel NICULA-ANDREICA
Muzeul Etnografic al Transilvaniei
The present paper describes the state of conservation of 20 wooden painted panels belonging to an 18th century painted coffered ceiling broght to life by Lőrinc Umling the Elder (1751). The Transylvanian Museum of Ethnography has in its heritage 47 such painted panels which
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Raluca Marilena DUMITRESCU
Muzeul Județean Mureș, Târgu Mureș
Bogdan UNGUREAN
Universitatea de Arte „George Enescu”, Iași
The article presents a case study, referred to issues connected to the conservation state of a painted cupboard, which is the work of one member of the Umling family. The specimen is dated 1776, and it derives from the former museum in Sângeorgiu de Pădure, Mureș County, now
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Raluca Marilena DUMITRESCU
Muzeul Județean Mureș
The article comprises a short presentation of the icons in the beginning, the project that they are included in, some short data about typology, style, and location in time. There are given some technical assessments of the construction of the panels, decorative elements and additional materials for the whole ensemble. The setting up of the
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Ioan BUTNARIU
Muzeul Etnografic al Transilvaniei
The work that is subject to the restoration interventions presented in this article is a painting done in oil colors on cardboard. The subject of this painting is represented by a landscape with an isolated castle on a lake island, surrounded by mountains. The painting’s degradations cumulated multiple cracks and gap areas affecting the painting
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