Pamfil BILŢIU, Maria BILȚIU
Baia Mare, Maramureș
Our research is designed to address a gap in the specialty literature, which does not mention anything about the stonecraft center of Cupșeni – Țara Lăpușului. After brief considerations about Cupșeni - settlement, geographical boundaries, the occupations of the inhabitants, brief history - we wrote some considerations on the stonemasonry
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CONTENT
MATERIAL CULTURE
Janeta CIOCAN, Mirela COMAN Clôtures et portails en bois dans les zones ethnographiques du nord de la Transylvanie ….…….….…..... 9
Ioan TOȘA, Flavia STOICA The Roof in the Romanian Folk Architecture .......................................................….….….….….….….….….….. 27
SPIRITUAL CULTURE
Pamfil BILȚIU Folklore and
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SZÜCS-CSILLIK Iharka
Institutul Astronomic, Cluj-Napoca
Zoia MAXIM
Muzeul Național de Istorie a Transilvaniei
The Moon, the Night Owner, fascinated over time almost all civilizations on Earth; it is the one that strongly shines in the night, driving back the darkness. The changing appearance of the Moon in its multitude of phases has raised the interest and imagination since ancient times and
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Zoia MAXIM
Muzeul Național de Istorie a Transilvaniei
The author makes a summary of the 24 National Seminars of Ethnoarchaeology in which the following topics were discussed: „Fortification. Type and function” (1991); „Home - symbol and language: foundation, building techniques, sanctification” (2006-2007); „Magic farm: house, yard and outbuildings” (2010-2011); „Funerary rite and ritual” (1992
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Gheorghe LAZAROVICI
Universitatea „Lucian Blaga”, Sibiu
Fire is presented generally after 5 issues: the usual fire, thunderbolt, Sun, fire of penetration or absorption, fire of destruction. There are several objects containing symbols, signs or sacred scenes related with fire. Some of them represent ideograms, other mithogrames, representing means of communication between man and divinity in
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Vasilica Daniela TOADER, Laura TROŞAN
Muzeul Etnografic al Transilvaniei
The Shepherd`s bag, made by hand, at the beginning of the 19th century in the village Jucul de Mijloc, Cluj county, has been exhibited in a glass showcase in the main Hall of the Museum since 2006. The leather is dehydrated, some parts are detached, torn, some tacks and buttons are missing, and some of them are corroded.
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Mirel Vasile BUCUR
Universitatea „Lucian Blaga”, Sibiu
The paper presents the elements that underpin the consideration of the painter Pavel Zamfir, author of the glass icon with the theme Archangels Michael and Gabriel, and the restoration work that we put in this case, presented in natural succession. It also presents how the dating of the icon was discovered, by the digital shooting against
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Ioan TOȘA, Tudor SĂLĂGEAN
Cluj-Napoca, Muzeul Etnografic al Transilvaniei
The authors present the activity carried out at the Transylvanian Museum of Ethnography between 1922-1951 to set up an Archive that keep information on material and immaterial folk culture, obtained using the questionnaires as a research method. The following Questionnaires are presented: The list of objects to be
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Simona MUNTEANU, Mihaela MUREŞAN
Muzeul Etnografic al Transilvaniei
Au fil du temps les musées sont devenus de véritables dépôts de la mémoire culturelle, l'institution muséale devenant, pour qui veut comprendre, vraiment une place de première importance dans la transmission de l'information culturelle, des modèles culturels, offrant la possibilité de reconstituer les paradigmes culturaux des
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KEMECSI Lajos
Muzeul Etnografic din Budapesta
Inventories preserved the most exact data concerning everyday life including handcraft. This short study lists a few possible usages of these sources. For researchers studying handcraft it is always useful to analyze the change and progress of tools. Comparing the inventories of different geographical area prove the studies written on the
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