Emanuela Traiana BUIA
Master UB, Cluj-Napoca
This house can be seen in the area of the Ethnographic Park Romulus Vuia. The house was built in the interwar period and it was donated to the museum by Bishop Macarie Drăgoi. It is also the last immovable item of heritage transferred.
The article begins by providing information about Spermezeu, about its history and in general about peasant
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CONTENT
MATERIAL CULTURE
Ion CHERCIU A Controversial Identity Mark: the Villagers’ Costumes in Șiria Region, Arad County ..............................................................9
Andrei FLORIAN "Crucifixion" - Wayside Cross. Public monumental work of religious character - mosaic - contemporary plastic design
approach, located in the urban environment
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Iharka SZÜCS-CSILLIK
Institutul Astronomic, Cluj-Napoca
Zoia MAXIM
Cluj-Napoca
The story behind these clothing accessories represented in the Prehistoric Art and in the stars makes that the man to be closer to sky (heaven, deity), the microcosmic Earth merging with the macrocosmic Universe. From the cycle of the clothing’s constellation symbolism we will approach the „Collier-
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Gheorghe LAZAROVICI, Cluj-Napoca
Cornelia-Magda LAZAROVICI, Iaşi
Silviu GRIDAN, Braşov
Archaeological investigations at Rupea in the summer of 2018 showed that in the vicinity of each spring of salt water, from about 50 m to 1,7 km there is an early Neolithic site, belonging to Starčevo – Criş. Analyzing the ceramic materials from a complex and those discovered on the area of the site we found
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Ioan TOȘA
Gabriela RĂDOIU LEȘ
Cluj-Napoca, Muzeul Etnografic al Transilvaniei
The authors aim to present to the interested public some moments of the valorification activity of the folk heritage by organising some exhibitions abroad in the period 1924-1956. From Brussels to Prague, from London to Vienna, Frankfurt or Geneva, from Paris to Sweden, the collections and artefacts of the Romanian
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Silvia SUCIU
Art House Gallery Cluj-Napoca
The art market is a system by which the artwork reaches the public - collectors, museums, public institutions. Thus, the artwork becomes “merchandise” and its journey begins in the artist’s workshop and ends by being shown to the public.
During centuries, the art market has registered many changes, according to different factors, such as:
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Carmen Florentina RAICU
Masterand, Universitatea Babeș-Bolyai
The aim of describing the house from Sucutard village, exhibited in the The National Ethnographic Park “Romulus Vuia” in Cluj-Napoca, is to better understand the way of living for a peasant family in a Transylvanian village, in the second half of the XIXth century and the first half of the XXth century.
In this respect, I interviewed
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Laura Cristina POP
Muzeul Etnografic al Transilvaniei
Romulus Vuia, the founder of Transylvanian Museum of Ethnography (founded in 1922) is a famous personality of the begining of the 20th century’s in Transylvania. As a museum founder and director, as a university professor, he was very active in academic life. He represented Romania at international congresses and conferences between
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MOHAY Tamás
Universitatea „Eötvös Loránd” din Budapesta,
Facultatea de Științe Umaniste
The article offers the analysis of a temporary exhibition carried out by the "Haáz Rezső" Museum in Odorheiu Secuiesc and itinerated at the Hungarian National Museum in Budapest. The joint work of five Hungarian ethnographers from the counties of Harghita, Covasna and Mureş, the exhibition "Anna -
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Ancuța MOCAN
Muzeul Etnografic al Transilaniei
The Transylvanian Museum of Ethnographic started an extensive multi-annual digitization program for museum heritage, designed to protect and value the Institution's negatives and slides on glass and celluloid. We ensure the saving and continuation of the existence in time of a very valuable and rare heritage through the conservation and protection
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